“FRACTAL RADIANCE”
As a second-generation immigrant, Ryan has been fortunate to call Southern Oregon home for nearly four decades. Deeply inspired by the rich cultural diversity of the region, he has dedicated his career to fostering artistic expression and community engagement. His passion for the arts led him to establish Marrow Collective, a dynamic group of artists committed to advancing and elevating the local creative scene.
Ryan's formal training began at the Southern Oregon Academy of Art, where he later returned as an instructor, sharing his knowledge and passion with the next generation of artists. Currently, he works from his painting studio in Downtown Medford, curating large-scale art exhibitions and offering private instruction to help artists refine their craft and find their unique voice.
In addition to his studio work, Ryan serves as the Vice President of the Board at Rogue Gallery and Art Center, where he plays an active role in shaping the region's artistic landscape and supporting fellow creatives. Through his work—whether organizing immersive art experiences, mentoring students, or cultivating meaningful connections within the creative community—Ryan remains a dedicated advocate for the arts. His contributions continue to shape and inspire Southern Oregon's vibrant artistic scene.
Sat, Sep 6
12:00 AM - 3:00 AM
White Rabbit Gallery
Artists: Ryan Moon
Sun, Sep 14
12:00 AM - 1:30 AM
White Rabbit Gallery
Artists: Ryan Moon, Robert Quattlebaum, Xavi
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Glass, Oil Paint, LED Backlit
30" x 15" x 3" • $850
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Glass, Oil Paint, LED Backlit
30" x 30" x 1" • $1200
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Glass, Oil Paint, LED Backlit
30" x 15" x 3" • $850
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Glass, Oil Paint, LED Backlit
30" x 48" x 3" • SOLD
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Glass, Oil Paint, LED Backlit
20" x 20" x 1" • $1200
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Oil Paint, Wood
20" x 20" x 3" • $1800
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Oil Paint, Wood
20" x 20" x 3" • $1800
Click to view
Oil Paint, Wood
20" x 20" x 3" • $1800
My work explores the tension between permanence and fragility, using the human figure as a vessel for emotion and abstraction. Each piece begins with a representational foundation, which I deliberately disrupt with gestural marks, layered textures, and fractured color fields. This process mirrors the instability of memory and the fragmented nature of identity. Recently, I've extended this exploration into a series of oil-on-glass works, illuminated with LED backlighting. These pieces invite viewers to experience painting beyond the two-dimensional surface—shifting the work into an object that breathes with light and atmosphere. Through both traditional and experimental approaches, I aim to create moments of intensity and vulnerability, where beauty and decay coexist in the same breath.